Things moved forward as Gossip Girl’s final season continued to unfold.
The connection between Serena’s new love Steven and Nate’s new significant other Sage was revealed, Bart’s affair with Amira (Andrea Gabriel) was uncovered and Dan made a big move when he opted to go the uncensored route (after several failed meetings with big-time publishers) with his new tell-all, instead bringing it to Nate’s struggling publication, The Spectator. Blair also got a taste of her own medicine when one of her former Constance minions returned for what turned out to be a not-so-pretty fashion debut.
With only eight episodes left in The CW drama’s season, just what do these latest developments from “High Infidelity” mean for Manhattan’s elite? Gossip Girl boss Sara Goodman discussed the aftermath of Dan and Nate’s team-up, why it was important to introduce a new family connection and what kind of damage Sage could do.
The Hollywood Reporter: The battle lines have been drawn with Dan deciding to have his new book published in The Spectator. How does that decision affect his relationships moving forward?
Sara Goodman: Dan as a power player is going to affect everybody. The way that we’re doing the chapters is a character at a time, so each chapter will be a character. Some episodes it will be there, some episodes it won’t. And of course, there will be twists and turns within that. But how he’s releasing it is chapter by chapter of characters. The fallout, unlike his original book, where he didn’t use real names, it keeps building with each chapter that comes out.
THR: It’s also told through one perspective. Are we to assume events and observations featured in Dan’s book will be twisted into his point of view?
Goodman: Definitely, definitely. He’s not writing like a newspaper story just reporting on what happened. He went with Georgina (Michelle Trachtenberg) to Italy so I think we can expect it will be a little bit more brutally honest.
THR: Why was it important to introduce the Steven (Barry Watson) and Sage’s (Sofia Black D’Elia) father-daughter connection in the final season?
Goodman: For us, the final season we really were trying to go back and tell our own multigenerational stories, in terms of Lily and Bart, Rufus and Ivy, and Eleanor and Cyrus – and the core group. Are the kids going to become their parents? When we talked about who we wanted to bring in, we decided we wanted to bring a family that had that same dynamic – a different dynamic, obviously. We brought in Barry Watson to be an adult love interest for Serena and sometimes adults have kids. We really thought we could get a lot more complications, not in terms of someone with a deep, dark, plotty agenda but in terms of what buttons those things can push. I mean, Serena’s Sage’s step-mom, right?
THR: Obviously this will affect the dynamics between Serena-Steven and Sage-Nate. What can you say about how this will change the four?
Goodman: You’re going to have to stay tuned. Is Sage going to be OK with Serena in that stepmom way – which I think by the end of the episode, she’s not. Is Steven going to want his daughter dating someone his girlfriend used to date? It’s not going to be simple for any of them involved.
THR: What kind of damage could Sage do?
Goodman: I can say that she’s going to stir up a lot of trouble. She will do her damndest to make it difficult for Serena to be with her father.
THR: Poppy Lifton (Tamara Feldman) and Nelly Yuki (Yin Chang) came back for Blair’s fashion show. Should we expect more favorites to pop back up again?
Goodman: There will be more familiar faces. I can’t tell you who, but yes. [THR reported last week that Gossip Girl alum Katie Cassidy, who appeared in season four as Juliet Sharp, will be back for the series finale.]
Gossip Girl airs 9 p.m. Mondays on The CW.
![Showrunners 2012: ‘Gossip Girl,’ ‘Hart of Dixie’s’ Josh Schwartz and Stephanie Savage
From their obsessive rituals (Peppermint Patties! Oatmeal! Bruce Springsteen!) to the parts of their jobs they hate most (killing characters off, dealing with agents), TV’s most influential writer-producers featured on The Hollywood Reporter’s annual list of the Top 50 Showrunners come clean about the people, things and quirky habits that keep them — and their shows — alive.
Josh Schwartz and Stephanie Savage, Gossip Girl, Hart of Dixie (CW)
The show that inspired me to write:Schwartz:The Muppet Show. Family Ties.
My big break:Schwartz: My retrospective on the career of Steven Spielberg for my camp newsletter when I was seven. When you are not a gifted athlete you must find other ways to impress the campers.
My TV Mentor:Schwartz: Bob DeLaurentiswas hired to help me run my first series, The O.C. He taught me about balancing the insanity of television with the sanity of life. Also, Stephanie Savage has taught me a ton over the years. Her taste and work ethic are simultaneously daunting and inspiring.Savage: John McNamara, Bob DeLaurentis, Shaun Cassidy. And Josh Schwartz gave me my first script, which is the job that changed my life.
My proudest accomplishment this year:Schwartz: That would have to be Stella, my nine-month-old daughter. Also I directed my first movie Fun Size, which comes out in October for Paramount. Both have been tremendous experiences for growth and learning. Only one requires diaper changing at 6:30 in the morning. Savage: Gossip Girl finishing, The Carrie Diaries starting and our movie Fun Size coming out — all in the same week.
My toughest scene to write this year:Savage: The final scene of Gossip Girl. Tears make it hard to see the keyboard.
My most absurd note I’ve ever gotten:Schwartz: Pitching the pilot story of [NBC’s] Chuck to a network executive who just looked at me when I finished and said, “Why would you want to write that?”Savage: “Could one of them be a cop/doctor/lawyer?” Writing serial dramas, we actually get that a lot.
The aspect of my job as showrunner that I’d rather delegate:Schwartz: I am a firm believer that the key to surviving showrunning is delegating. On all our Fake Empire shows, we have incredible showrunners in place who are passionate, talented and surrounded by good people.Savage: Anything that requires appearing in front of the camera.
My preferred method for breaking through writers’ block:Schwartz: Asking someone else to write it.Savage: Writers’ block is not really an option when you’re shooting eight pages a day, five days a week, nine months a year.
The show I’m embarrassed to admit I watch:Schwartz: I make teen dramas, I’m not embarrassed to admit I watch anything.Savage: I don’t believe in “guilty” pleasure. MSNBC’s Lockup, My Big Fat Gypsy Wedding, every single show on Discovery ID — if it feels good, do it.
The three things you need in order to write:Schwartz: An idea, some time and the knowledge that failing to deliver could result in a network airing color bars.Savage: I’ve written with a broken wrist, with pneumonia. I finished a script sitting at a bus stop on Banff Avenue during a snow storm. So long as I have headphones, a playlist and my laptop, I’m good.
If I could scrub one credit from your resume, it would it be:Schwartz: I think the healthy answer to this is they have all been learning experiences. Savage: None. You fall in love with everything you make.](http://25.media.tumblr.com/tumblr_mbbvf4OtME1ql7hulo1_500.jpg)
